Carol Anshaw (born March 1946) is an American novelist and short story writer. Her books include Lucky in the Corner, Seven Moves and Aquamarine. Her stories have been anthologized in The Best American Short Stories in 1994 and 1998. She acquired her MFA at Vermont College of Fine Arts (1992). She has won a National Book Critics Circle Citation for Excellence in Reviewing, an NEA Grant, an Illinois Arts Council Fellowship, a Carl Sandburg Award and Society of Midland Authors Award. Her newest novel, Carry the One, is forthcoming in March 2012 from Simon & Schuster.
Anshaw teaches in the MFA in Writing Program at SAIC, the School of the Art Institute of Chicago. She is also a painter.
Anshaw teaches in the MFA in Writing Program at SAIC, the School of the Art Institute of Chicago. She is also a painter.
Genres: Literary Fiction
Novels
The Latchkey Kids (1991)
Aquamarine (1992)
Seven Moves (1996)
Lucky in the Corner (2002)
Carry the One (2012)
Right after the Weather (2019)
Aquamarine (1992)
Seven Moves (1996)
Lucky in the Corner (2002)
Carry the One (2012)
Right after the Weather (2019)
Books containing stories by Carol Anshaw
The Best American Short Stories 1994 (1994)
(Best American Short Stories)
edited by
Katrina Kenison and Tobias Wolff
Carol Anshaw recommends
You Only Call When You're in Trouble (2024)
Stephen McCauley
"Stephen McCauley's delicious new novel follows its characters, light on their feet as they search for their best selves. Along the way, they dodge with agility an assortment of contemporary obstacles--flagging relationships, employment insecurities, delusional parents. The author's rare ability is finding the humor lining sadness to create a complex story with emotional depth."
Presidio (2018)
Randy Kennedy
"Randy Kennedy's Mexican-American frontier of the 1970s occupies the same dustblown landscape painted by Cormac McCarthy. Car thieves and drug dealers tumble together with Mennonites and luncheonette waitressesall of them lightened by empty pockets, small dreams, and minimal futures. From these elements Kennedy assembles a gorgeously written narrative of outrunning violence and despair."
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