book cover of The Doomswoman
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The Doomswoman

(1895)
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It was at Governor Alvarado's house in Monterey that Chonita first knew of Diego Estenega. I had told him much of her, but had never cared to mention the name of Estenega in the presence of an Iturbi y Moncada. Chonita came to Monterey to stand godmother to the child of Alvarado and of her friend Dona Martina, his wife. She arrived the morning before the christening, and no one thought to tell her that Estenega was to be godfather. The house was full of girls, relatives of the young mother, gathered for the ceremony and subsequent week of festivities. Benicia, my little one, was at the rancho with Ysabel Herrera, and I was staying with the Alvarados. So many were the guests that Chonita and I slept together. We had not seen each other for a year, and had so much to say that we did not sleep at all. She was ten years younger than I, but we were as close friends as she with her alternate frankness and reserve would permit. But I had spent several months of each year since childhood at her home in Santa Barbara, and I knew her better than she knew herself; when, later, I read her journal, I found little in it to surprise me, but much to fill and cover with shapely form the skeleton of the story which passed in greater part before my eyes.


Genre: Historical Romance

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