Julia Alvarez is the author of five works of fiction, among them In the Time of the Butterflies and How the Garcia Girls Lost Their Accents, books for children, essays, and poetry. Saving the World is an unfocused attempt to make a statement about the haves and the have-nots and the people who try to improve the lot of those who have never had a real chance in life: those people who try to save the world. Unfortunately, it does not bridge the chasm between authentic high-mindedness and sentimental twaddle.
There are two stories intertwined in the novel: one of Alma, a self-centered depressive author and the other of Isabel, a no-centered Spanish rectoress who, in 1803, with her 23 orphan boys, joins Dr. Balmis on a ship bound for the new world destined to save the world from smallpox. The boys are to be carriers; each of them vaccinated with cowpox and then, when the vesicles fill with fluid, it will be harvested to vaccinate others. This part is, basically, a true story.
Alma has a contract to write a book, gets stuck, and becomes enamored of Isabel's story instead. She starts to write, and her husband, Richard, is called away on a project to the Dominican Republic, Alma's native country, to establish a "green" zone. Another world-saving project in theory, it turns out not to be as advertised. Alma sends him off alone, telling him that she is going to work on the book--some book, anyway--and then wool-gathers about why. Isabel constantly asks herself if she has done the right thing by exposing the boys to the rigors of sea travel, the dangers of ailments other than smallpox, and will she ever have a husband and babies of her own? These two women are portrayed as having remarkably little self-knowledge, despite their concentration on taking their own emotional temperature hourly.
A red-herring sub-plot is that Alma's close neighbor and "good friend," whom she seldom sees until she finds out she's dying, has a crazy son who has a crazy wife. They come to visit as Richard is leaving. Their threats to Alma and to the world at large are described by the two loonies as "ethical terrorism." This nonsense gains Alma's sympathy and she ends up protecting and defending them, spouting poetic aphorisms as reasons. The other loose cannon in the tale is Tera, Alma's one-dimensional firebrand friend who is saving the world from everything you can mention, according to her own lights. She is tedious in her extremism, and especially annoying to Alma when Alma needs attention, which is all the time.
All manner of dreadful things take place in this truly messy book. Alma and Isabel cry a lot, everyone gets to act out and then we go around again. Unfortunately, this story trivializes the world-saving work of the Spanish Royal Philanthropic Expedition, which was an around-the-world voyage of the smallpox vaccine and really did prevent outbreaks in the New World. Now that is a fascinating story. --Valerie Ryan
Genre: Literary Fiction
There are two stories intertwined in the novel: one of Alma, a self-centered depressive author and the other of Isabel, a no-centered Spanish rectoress who, in 1803, with her 23 orphan boys, joins Dr. Balmis on a ship bound for the new world destined to save the world from smallpox. The boys are to be carriers; each of them vaccinated with cowpox and then, when the vesicles fill with fluid, it will be harvested to vaccinate others. This part is, basically, a true story.
Alma has a contract to write a book, gets stuck, and becomes enamored of Isabel's story instead. She starts to write, and her husband, Richard, is called away on a project to the Dominican Republic, Alma's native country, to establish a "green" zone. Another world-saving project in theory, it turns out not to be as advertised. Alma sends him off alone, telling him that she is going to work on the book--some book, anyway--and then wool-gathers about why. Isabel constantly asks herself if she has done the right thing by exposing the boys to the rigors of sea travel, the dangers of ailments other than smallpox, and will she ever have a husband and babies of her own? These two women are portrayed as having remarkably little self-knowledge, despite their concentration on taking their own emotional temperature hourly.
A red-herring sub-plot is that Alma's close neighbor and "good friend," whom she seldom sees until she finds out she's dying, has a crazy son who has a crazy wife. They come to visit as Richard is leaving. Their threats to Alma and to the world at large are described by the two loonies as "ethical terrorism." This nonsense gains Alma's sympathy and she ends up protecting and defending them, spouting poetic aphorisms as reasons. The other loose cannon in the tale is Tera, Alma's one-dimensional firebrand friend who is saving the world from everything you can mention, according to her own lights. She is tedious in her extremism, and especially annoying to Alma when Alma needs attention, which is all the time.
All manner of dreadful things take place in this truly messy book. Alma and Isabel cry a lot, everyone gets to act out and then we go around again. Unfortunately, this story trivializes the world-saving work of the Spanish Royal Philanthropic Expedition, which was an around-the-world voyage of the smallpox vaccine and really did prevent outbreaks in the New World. Now that is a fascinating story. --Valerie Ryan
Genre: Literary Fiction
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