A contemporary literary novel about an unlikely friendship between two very different women, The Breaks will appeal to fans of Eleanor Oliphant Is Completely Fine.
Waking up in the emergency room with a broken arm is not one of the ways Marianne imagined her first date with Carl, if it is a date, ending up. Nor was driving up to the entrance of a women’s prison a few weeks later anywhere on her radar. But here she is. At least I’m on this side of the gate. She picks up newly released Stephanie, as a favor to a nun she barely knows, returns to her East of Troost home, and finds herself immersed in a whole new drama.
East of Troost is Marianne’s childhood neighborhood, downtrodden by decades of redlining and a wide swath of destruction to make way for an expressway. Marianne moves back after a reversal of fortune limits her options. She repairs the house and deals with a couple of “incidents”—hence her acquaintance with Officer Carl.
Meanwhile, Sister Colette bought the house behind her and is taking in women who, in her words, need to learn to “just live.” As Stephanie helps Marianne cope with her broken arm, she gradually comes out of her shell and teaches Marianne a thing or two about just living.
Genre: Literary Fiction
Waking up in the emergency room with a broken arm is not one of the ways Marianne imagined her first date with Carl, if it is a date, ending up. Nor was driving up to the entrance of a women’s prison a few weeks later anywhere on her radar. But here she is. At least I’m on this side of the gate. She picks up newly released Stephanie, as a favor to a nun she barely knows, returns to her East of Troost home, and finds herself immersed in a whole new drama.
East of Troost is Marianne’s childhood neighborhood, downtrodden by decades of redlining and a wide swath of destruction to make way for an expressway. Marianne moves back after a reversal of fortune limits her options. She repairs the house and deals with a couple of “incidents”—hence her acquaintance with Officer Carl.
Meanwhile, Sister Colette bought the house behind her and is taking in women who, in her words, need to learn to “just live.” As Stephanie helps Marianne cope with her broken arm, she gradually comes out of her shell and teaches Marianne a thing or two about just living.
Genre: Literary Fiction