Rachel Beanland is an MFA candidate in creative writing at Virginia Commonwealth University. She holds bachelor's degrees in art history and journalism from the University of South Carolina and lives in Richmond, Virginia, with her husband and three children.
The Fisherman's Gift (2025) Julia R Kelly "As searing as a winter wind. With perfect pacing and vivid prose, Kelly shows us not just what was but what could have been, and therein lies this book's real gift."
The Lion Women of Tehran (2024) Marjan Kamali "Marjan Kamali is at it again, this time bringing us a story of friendship and love set against the tumult and terror of the Iranian Revolution. The Lion Women of Tehran is a novel about two girls, who grow up wanting very different things but are united by their affection for each other and their shared desire for a more egalitarian Iran. Kamali is a gifted storyteller at the height of her powers, who manages to connect the country's complicated history with its present and sing the praises of Iranian women who, even today, are fighting for the most basic of freedoms. If you liked The Stationery Shop, you'll love The Lion Women of Tehran."
The Painter's Daughters (2024) Emily Howes "In the tradition of Maggie O'Farrell and Tracy Chevalier, Emily Howes brings us the story of Thomas Gainsborough's two daughters, Molly and Margaret, whom she imagines were equal parts muse and millstone for the famed eighteenth-century portrait painter. Howes' thorough research and exquisite prose brings both girls to life, but it is the author's deep understanding of mental illness and how it affects families that sets the novel apart. Emily Howes is a true talent, and I did not want this book to end."
The River, The Town (2023) Farah Ali "The River, The Town shimmers like a clear, blue stream. Farah Ali's debut novel, which is set in a small town in Pakistan against the backdrop of a debilitating drought, will force you to rethink everything you ever thought you needed. Ali is a talent, and where she shines is in her ability to blend the catastrophic with the everyday. This is a book you'll want to read, but it's one you need to read, too."
The Refugee Ocean (2023) Pauls Toutonghi "Two musicians. Two countries. Two conflicts. Two time periods. Pauls Toutonghi's breathtaking new novel, The Refugee Ocean, presents two narratives that are equally engrossing yet so far removed from one another that one of the book's central questions becomes how exactly Toutonghi will ever manage to weave the two storylines together. When he eventually does, it is more like he has brought together a pair of crash cymbals. The sound is so loud and so clear and so powerful it reverberates in your ears long after you've turned the last page."
A Line in the Sand (2023) Kevin Powers "That the same man can give us The Yellow Birds, A Shout in the Ruins, and now A Line in the Sand is proof that Kevin Powers has got some serious range. This time, he's written a thriller, with a crime so big and characters so flawed, you'll be holding your breath the whole time... The book's got all the stuff you've always loved about Powers' writing: a deep and abiding understanding of what soldiers sacrifice, a thoughtful examination of the place he grew up, and prose so beautiful it'll make you weep."
Sweet, Soft, Plenty Rhythm (2022) Laura Warrell "Sweet, Soft, Plenty Rhythm is a sultry and subversive debut. Laura Warrell's prose sparkles, but it's what she's got to say about sex and love and being a woman that will take your breath away. This book is a love song, and Warrell knows how to hold all the right notes."
The Shore (2022) Katie Runde "The Shore was a joy to read. I loved the Dunnes from page one, and Katie Runde has so much to say about love and grief and growing up and the way we sometimes manage to learn who we are when we're in the midst of losing the person we love most."
Nine Shiny Objects (2020) Brian Castleberry "When, in 1947, a Navy pilot reports that he’s seen nine shiny objects flying over the Cascade Mountains, he sets off a chain reaction that affects nine characters, whose lives intersect in remarkable ways over the course of the following four decades. What Castleberry has written is not a novel about UFOs or cults or rock-and-roll but rather a literary saga that dauntlessly explores what it takes to believe."
