book cover of The Venice Sketchbook
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The Venice Sketchbook

(2021)
A novel by

 
 
Awards
2022 Edgar Award for Best Novel (nominee)
2022 Macavity Award for Best Historical Novel (nominee)

“Rhys Bowen crafts a propulsive, unexpected plot with characters who come vibrantly alive on the page.” —Mark Sullivan, author of Beneath a Scarlet Sky

Love and secrets collide in Venice during WWII in an enthralling novel of brief encounters and lasting romance by the New York Times bestselling author of The Tuscan Child and Above the Bay of Angels.

Caroline Grant is struggling to accept the end of her marriage when she receives an unexpected bequest. Her beloved great-aunt Lettie leaves her a sketchbook, three keys, and a final whisper…Venice. Caroline’s quest: to scatter Juliet “Lettie” Browning’s ashes in the city she loved and to unlock the mysteries stored away for more than sixty years.

It’s 1938 when art teacher Juliet Browning arrives in romantic Venice. For her students, it’s a wealth of history, art, and beauty. For Juliet, it’s poignant memories and a chance to reconnect with Leonardo Da Rossi, the man she loves whose future is already determined by his noble family. However star-crossed, nothing can come between them. Until the threat of war closes in on Venice and they’re forced to fight, survive, and protect a secret that will bind them forever.

Key by key, Lettie’s life of impossible love, loss, and courage unfolds. It’s one that Caroline can now make right again as her own journey of self-discovery begins.

Genre: Historical

Praise for this book

"The Venice Sketchbook is that rare book, both epic and personal, and utterly compelling. Two women, decades apart, escape to Venice, each forced to grapple with the influence of world events on her own life. This is a tale brimming with secrets, romance, and possibilities, cast against the colorful setting of irresistible Venice. I was utterly captured." - Barbara O'Neal

"Rhys Bowen crafts a propulsive, unexpected plot with characters who come vibrantly alive on the page." - Mark Sullivan


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