A sexy, propulsive novel that confronts the limits of empathy and the perils of appropriation through the eyes of a disgraced small-town librarian.
Now that her brilliant botanist daughter is off at college, buttoned-up Maeve Cosgrove loves her job at a quiet Maine public library more than anything. But when a teenager accuses Maeve—Maeve!—of spying on her romantic escapades in the mezzanine bathroom, she winds up laid off and humiliated. Stuck at home in a tailspin, Maeve cares for the mysterious plants in her daughter’s greenhouse while obsessing over the clearly troubled girl at the source of the rumor. She hopes to have a powerful ally in her attempts to clear her name: her favorite author, Harrison Riddles, who has finally responded to her adoring letters and accepted an invitation to speak at the library.
Riddles, meanwhile, arrives in town with his own agenda. He announces a plan to write a novel about another young library patron, Sudanese refugee Willie, and enlists Maeve��s help in convincing him to participate. Maeve wants to look out for Willie, but Riddles’s charisma and the sheen of literary glory he promises are difficult to resist. A scheme to get her job back draws Maeve further into Riddles’s universe—where shocking questions about sex, morality, and the purpose of literature threaten to upend her orderly life.
A writer of “savage compassion” (Salvatore Scibona, author of The Volunteer), Sarah Braunstein constructs a shrewd, page-turning caper that explores one woman’s search for agency and ultimate reckoning with the kind of animal she is.
Genre: Literary Fiction
Now that her brilliant botanist daughter is off at college, buttoned-up Maeve Cosgrove loves her job at a quiet Maine public library more than anything. But when a teenager accuses Maeve—Maeve!—of spying on her romantic escapades in the mezzanine bathroom, she winds up laid off and humiliated. Stuck at home in a tailspin, Maeve cares for the mysterious plants in her daughter’s greenhouse while obsessing over the clearly troubled girl at the source of the rumor. She hopes to have a powerful ally in her attempts to clear her name: her favorite author, Harrison Riddles, who has finally responded to her adoring letters and accepted an invitation to speak at the library.
Riddles, meanwhile, arrives in town with his own agenda. He announces a plan to write a novel about another young library patron, Sudanese refugee Willie, and enlists Maeve��s help in convincing him to participate. Maeve wants to look out for Willie, but Riddles’s charisma and the sheen of literary glory he promises are difficult to resist. A scheme to get her job back draws Maeve further into Riddles’s universe—where shocking questions about sex, morality, and the purpose of literature threaten to upend her orderly life.
A writer of “savage compassion” (Salvatore Scibona, author of The Volunteer), Sarah Braunstein constructs a shrewd, page-turning caper that explores one woman’s search for agency and ultimate reckoning with the kind of animal she is.
Genre: Literary Fiction
Praise for this book
"Bad Animals is a story of intrigue, and mystery, and love. Above all, it's about the lies we tell each other-and the ones we tell ourselves. It's best book yet by one of my favorite writers-haunting, unsettling, and unforgettable." - Jennifer Finney Boylan
"Wild, wicked, whip-smart, hilarious-Bad Animals brought out the hungry reader in me and I devoured it, blissfully. Sarah Braunstein is tough and tender in equal measure: unsparing on the subjects of whiteness, literary lions, and good intentions, yet so large-hearted that this giddy misadventure cannot help but turn moving in the most true and abiding way." - Sarah Shun-lien Bynum
"Bad Animals opens with a delightful shock, and then the fun begins. With deft, sly, loving insight into the human animal and its genius for self-deception, Braunstein ratchets up and sustains this extraordinary novel's elegance and complexity until the last, beautiful sentence." - Kate Christensen
"With a high-wire plot that's beautifully built and slyly rendered, Bad Animals interrogates the insanely high costs of self-deception and offers us a supremely wise and damn funny story of bravery in the face of abject longing." - Susan Conley
"Wise, wily, intriguing, and so much fun, Bad Animals mesmerized me. I did not want it to end. This is Braunstein at her very best." - Lily King
"Sarah Braunstein's Bad Animals is a dazzling high-wire act. Absolutely chilling." - Richard Russo
"Bad Animals kept me up all night for its gorgeous prose, its breathtaking insights into human nature, and its fresh, original page-turning plot. What a triumph." - Monica Wood
"Wild, wicked, whip-smart, hilarious-Bad Animals brought out the hungry reader in me and I devoured it, blissfully. Sarah Braunstein is tough and tender in equal measure: unsparing on the subjects of whiteness, literary lions, and good intentions, yet so large-hearted that this giddy misadventure cannot help but turn moving in the most true and abiding way." - Sarah Shun-lien Bynum
"Bad Animals opens with a delightful shock, and then the fun begins. With deft, sly, loving insight into the human animal and its genius for self-deception, Braunstein ratchets up and sustains this extraordinary novel's elegance and complexity until the last, beautiful sentence." - Kate Christensen
"With a high-wire plot that's beautifully built and slyly rendered, Bad Animals interrogates the insanely high costs of self-deception and offers us a supremely wise and damn funny story of bravery in the face of abject longing." - Susan Conley
"Wise, wily, intriguing, and so much fun, Bad Animals mesmerized me. I did not want it to end. This is Braunstein at her very best." - Lily King
"Sarah Braunstein's Bad Animals is a dazzling high-wire act. Absolutely chilling." - Richard Russo
"Bad Animals kept me up all night for its gorgeous prose, its breathtaking insights into human nature, and its fresh, original page-turning plot. What a triumph." - Monica Wood
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