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2023 Prometheus Award (nominee)
2022 Philip K Dick Award (nominee)
'Reading this terrific, Orwellian novel you almost hold your breath' Bel Mooney
To control the past, they edited history. To control the future, they edited literature.
London, 1953, Coronation year - but not the Coronation of Elizabeth II.
Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalized. George VI and his family have been murdered and Edward VIII rules as King. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest.
Rose Ransom belongs to the elite caste of women and works at the Ministry of Culture, rewriting literature to correct the views of the past. But now she has been given a special task.
Outbreaks of insurgency have been seen across the country; graffiti daubed on public buildings. Disturbingly, the graffiti is made up of lines from forbidden works, subversive words from the voices of women. Suspicion has fallen on Widowland, the run-down slums where childless women over fifty have been banished. These women are known to be mutinous, for they have nothing to lose.
Before the Leader arrives for the Coronation ceremony of King Edward and Queen Wallis, Rose must infiltrate Widowland to find the source of this rebellion and ensure that it is quashed.
An alternative history with a strong feminist twist, perfect for fans of Robert Harris' Fatherland, Christina Dalcher's Vox and the dystopian novels of Margaret Atwood.
**************************************
PRAISE FOR WIDOWLAND
'A TRIUMPH' Amanda Craig
'CONVINCING AND GRIPPING' Elizabeth Buchan
'BRILLIANTLY IMAGINED' Clare Chambers
'TERRIFIC HEROINE' Adèle Geras
'VIVIDLY IMAGINED' Nicci French
'THE MOST IMPORTANT FEMINIST NOVEL IN DECADES' Jane Harris
'A VERY SMART REIMAGINED HISTORY' Henry Porter
'BRIMMING WITH CRACKLING DETAIL, A GRIPPING THRILLER' Miranda Carter
Genre: Science Fiction
To control the past, they edited history. To control the future, they edited literature.
London, 1953, Coronation year - but not the Coronation of Elizabeth II.
Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalized. George VI and his family have been murdered and Edward VIII rules as King. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest.
Rose Ransom belongs to the elite caste of women and works at the Ministry of Culture, rewriting literature to correct the views of the past. But now she has been given a special task.
Outbreaks of insurgency have been seen across the country; graffiti daubed on public buildings. Disturbingly, the graffiti is made up of lines from forbidden works, subversive words from the voices of women. Suspicion has fallen on Widowland, the run-down slums where childless women over fifty have been banished. These women are known to be mutinous, for they have nothing to lose.
Before the Leader arrives for the Coronation ceremony of King Edward and Queen Wallis, Rose must infiltrate Widowland to find the source of this rebellion and ensure that it is quashed.
An alternative history with a strong feminist twist, perfect for fans of Robert Harris' Fatherland, Christina Dalcher's Vox and the dystopian novels of Margaret Atwood.
**************************************
PRAISE FOR WIDOWLAND
'A TRIUMPH' Amanda Craig
'CONVINCING AND GRIPPING' Elizabeth Buchan
'BRILLIANTLY IMAGINED' Clare Chambers
'TERRIFIC HEROINE' Adèle Geras
'VIVIDLY IMAGINED' Nicci French
'THE MOST IMPORTANT FEMINIST NOVEL IN DECADES' Jane Harris
'A VERY SMART REIMAGINED HISTORY' Henry Porter
'BRIMMING WITH CRACKLING DETAIL, A GRIPPING THRILLER' Miranda Carter
Genre: Science Fiction
Praise for this book
"A brilliantly convincing and gripping dystopian vision. Fantastically detailed and assured, I read it with huge admiration for having pulled off such a terrific novel." - Elizabeth Buchan
"Clever, gripping and brilliantly imagined - a brave, bookish heroine takes on the forces of a chillingly convincing post-war dystopia." - Clare Chambers
"Widowland is a triumph. One of the best counter-factual dystopias ever written about what a Nazi Britain might be like, it not only equals Fatherland and The Handmaid's Tale but, by placing literary heroines at its heart, supersedes them. As witty as it is withering, as thrilling as it is consummately imagined, this deserves to be the bestseller of 2021." - Amanda Craig
"I am in awe at the author's imagination, her ability to conjure and so cleverly convey an entire world - it manages to feel both chillingly dystopian and utterly realistic. I love the details of the office, and Rose's flat, and her bus rides, but most of all I loved the description of the Oxford Widowlands, and the women who inhabit it - Viva the Friedas!" - Sabine Durrant
"A terrifying, vividly imagined story of a Nazi Britain that might have been. Tense, utterly convincing and, in the end, very moving." - Nicci French
"All Jane Thynne fans should read her alter ego C J Carey whose Widowland is fabulous! A very stylish and exciting counterfactual set around the coronation of Edward VIII and Mrs Simpson. Hitler is still alive and in charge. Rose is a terrific heroine." - Adèle Geras
"Widowland is not just a page-turning thriller and masterful work of suspense. This book is also the most important feminist novel to be published in decades because it speaks as much about contemporary tyranny and misogyny as it does about the re-imagined past that Carey has so skilfully created." - Jane Harris
"Reading this terrific, Orwellian novel you almost hold your breath, so vivid is Carey's evocation of a dystopia which (you reflect) was surely just a hairsbreadth away. The engaging heroine, vivid scenario and enthralling plot are underpinned by a serious political sensibility - one which turns an accomplished thriller into a warning." - Bel Mooney
"Widowland is a very smart reimagined history executed with plenty of wit, energy and originality plus there's a rather subtle message for today. Excellent!" - Henry Porter
"Clever, gripping and brilliantly imagined - a brave, bookish heroine takes on the forces of a chillingly convincing post-war dystopia." - Clare Chambers
"Widowland is a triumph. One of the best counter-factual dystopias ever written about what a Nazi Britain might be like, it not only equals Fatherland and The Handmaid's Tale but, by placing literary heroines at its heart, supersedes them. As witty as it is withering, as thrilling as it is consummately imagined, this deserves to be the bestseller of 2021." - Amanda Craig
"I am in awe at the author's imagination, her ability to conjure and so cleverly convey an entire world - it manages to feel both chillingly dystopian and utterly realistic. I love the details of the office, and Rose's flat, and her bus rides, but most of all I loved the description of the Oxford Widowlands, and the women who inhabit it - Viva the Friedas!" - Sabine Durrant
"A terrifying, vividly imagined story of a Nazi Britain that might have been. Tense, utterly convincing and, in the end, very moving." - Nicci French
"All Jane Thynne fans should read her alter ego C J Carey whose Widowland is fabulous! A very stylish and exciting counterfactual set around the coronation of Edward VIII and Mrs Simpson. Hitler is still alive and in charge. Rose is a terrific heroine." - Adèle Geras
"Widowland is not just a page-turning thriller and masterful work of suspense. This book is also the most important feminist novel to be published in decades because it speaks as much about contemporary tyranny and misogyny as it does about the re-imagined past that Carey has so skilfully created." - Jane Harris
"Reading this terrific, Orwellian novel you almost hold your breath, so vivid is Carey's evocation of a dystopia which (you reflect) was surely just a hairsbreadth away. The engaging heroine, vivid scenario and enthralling plot are underpinned by a serious political sensibility - one which turns an accomplished thriller into a warning." - Bel Mooney
"Widowland is a very smart reimagined history executed with plenty of wit, energy and originality plus there's a rather subtle message for today. Excellent!" - Henry Porter
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