'Utterly unique, addictively readable.' Pandora Sykes
'Intriguing, elegant and seductive.' Jessica Moor
'You can't put it down.' Kevin Wilson
After the sudden death of her mother, Ava finds herself headed cross-country to live with the only relative she has left. But Lane, her grandmother, doesn't seem to have much room in her heart for a teenage girl, barely acknowledging Ava between obsessive painting sessions. The only other person who comes around is Lane's assistant, Oliver, who's dealing with issues of his own.
As the summer goes on, Ava begins to get a sense that something is very wrong in her grandmother's house. Why was Lane estranged from Ava's mother, and is she now losing her mind? Could the danger lie with Oliver? Or, is there something darker in their past, something which could come back to destroy them all?
Genre: Mystery
'Intriguing, elegant and seductive.' Jessica Moor
'You can't put it down.' Kevin Wilson
After the sudden death of her mother, Ava finds herself headed cross-country to live with the only relative she has left. But Lane, her grandmother, doesn't seem to have much room in her heart for a teenage girl, barely acknowledging Ava between obsessive painting sessions. The only other person who comes around is Lane's assistant, Oliver, who's dealing with issues of his own.
As the summer goes on, Ava begins to get a sense that something is very wrong in her grandmother's house. Why was Lane estranged from Ava's mother, and is she now losing her mind? Could the danger lie with Oliver? Or, is there something darker in their past, something which could come back to destroy them all?
Genre: Mystery
Praise for this book
"Ginsburg understands our darkest secrets and desires." - Tom Franklin
"Melissa Ginsburg's page-turner is a devastatingly simple trap: characters so beguiling you settle in for a charming coming-of-age fable before realizing the spring is snapping shut on an inexorable and satisfying calamity. The theme is the-past-isn't-dead-it-isn't-even-past, but painted not with Faulkner's heavy hand so much as with the crisp ingenuity of Ross Macdonald." - Jonathan Lethem
"Intriguing, elegant and seductive." - Jessica Moor
"A magnetic, deftly-crafted tale about the ties that bind family and found-family across generations. Ginsburg is a master of depicting the heartbreaking inner lives of people aching for connection in a world spinning apart." - Maurice Carlos Ruffin
"Ginsburg's brilliance is on full display in The House Uptown. By giving us these layered, complicated characters, all suffering from previous traumas, Ginsburg reveals how the past keeps reaching toward us, and what we'll do to stay out of its reach. It's a book that breaks you down, even though you can't put it down." - Kevin Wilson
"Melissa Ginsburg's page-turner is a devastatingly simple trap: characters so beguiling you settle in for a charming coming-of-age fable before realizing the spring is snapping shut on an inexorable and satisfying calamity. The theme is the-past-isn't-dead-it-isn't-even-past, but painted not with Faulkner's heavy hand so much as with the crisp ingenuity of Ross Macdonald." - Jonathan Lethem
"Intriguing, elegant and seductive." - Jessica Moor
"A magnetic, deftly-crafted tale about the ties that bind family and found-family across generations. Ginsburg is a master of depicting the heartbreaking inner lives of people aching for connection in a world spinning apart." - Maurice Carlos Ruffin
"Ginsburg's brilliance is on full display in The House Uptown. By giving us these layered, complicated characters, all suffering from previous traumas, Ginsburg reveals how the past keeps reaching toward us, and what we'll do to stay out of its reach. It's a book that breaks you down, even though you can't put it down." - Kevin Wilson
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Used availability for Melissa Ginsburg's The House Uptown