Kiran Millwood Hargrave was born in Surrey in 1990, and her earliest ambition was to be a cat, closely followed by a cat-owner or the first woman on Mars. She has achieved only one of these things, but discovered that being a writer lets you imagine whatever you want.She started writing poetry in her final year at university, producing three poetry books and a play before she turned to fiction. Her bestselling debut The Girl of Ink & Stars, about a mapmaker’s daughter who must save her island, won the Waterstones Children’s Book Prize 2017 and the British Book Awards Children’s Book of the Year. Her second standalone story, The Island at the End of Everything, was shortlisted for the Blue Peter Book Award and the Costa Children’s Book Award, and long listed for the CILIP Carnegie Medal. Her third book, The Way Past Winter, was the Blackwell’s Children’s Book of the Year 2018.
Her debut YA title, The Deathless Girls, is forthcoming from Hachette in September. Her first book for adults, The Mercies, was subject to a 13-way auction and will be published by Picador in February 2020.Kiran lives in Oxford with her husband, the artist Tom de Freston, and the fulfilment of one of her earliest ambitions: their cat, Luna.
William (2024) Mason Coile "A book that probes at the fears for our future and provokes the terrors of our pasts - William asks if the things we make reflect us, what does that say about what we are? Also - it's f***ing terrifying."
The Burial Plot (2024) Elizabeth Macneal "A book to sink into and relish. Dark, clever, with a twist worthy of your attention. Macneal gets better and better."
A Drop of Golden Sun (2024) Kate Saunders "This took me back to childhood. I love and admire many books, but few truly transport me to that place of gleeful delight. A Drop of Golden Sun is radiant storytelling, nuanced and exuberant. Sublime."
Impossible Creatures (2023) (Impossible Creatures, book 1) Katherine Rundell "Fantastically exuberant, wildly imaginative, impossibly brilliant. Rundell's best, which is something to be marvelled at. It made me want to yell, or laugh, or bite something."
The Glutton (2023) A K Blakemore "An embarrassment of riches. A sensory assault fit to slap any reader awake with its gorgeous glut of baroque prose and wise, poised lessons on life, pleasure, class, desire, and love."
The Housekeepers (2023) Alex Hay "Punch-the-air good, this is the Edwardian heist novel you never knew you needed. Flawless, lawless fun."
Everything's Fine (2023) Cecilia Rabess "A whip smart, sexy, biting love story about how what unites us does not always overcome what divides us."
Verge (2023) Nadia Attia "Had me gripped from start to finish ... timely, horrifying, and hugely entertaining."
Mister, Mister (2023) Guy Gunaratne "A quicksilver astonishment of a book, deft and devastating and completely original. Just read it."
The North Shore (2023) Ben Tufnell "THE NORTH SHORE is a haunting evocation of place told by those who rightly love and fear it. An enticing, wrack-like tangle of myth, mystery and the power of the sea and its stories."
The Last Tale of the Flower Bride (2023) Roshani Chokshi "I'm not sure I can capture how much this book moved, gripped, devoured me. Chokshi draws stars from the darkness. An opulent, engrossing tale with all the power of a myth and all the truth of a parable - reading a story like this reminds you why we tell them in the first place."
Twin Crowns (2022) (Twin Crowns, book 1) Catherine Doyle and Katherine Webber "Twin Crowns has all the charm of The Princess Bride and all the stakes of Game of Thrones. Addictive, swoony, tender and vivid - I loved it with all my heart."
Idol (2022) Louise O'Neill "O'Neill continues to push at the murk around contemporary taboos, shining a compassionate and compelling light on what drives our appearance-obsessed society, marking us all as complicit. IDOL is a gripping, shocking read I could not put down."
Her Majesty's Royal Coven (2022) (HMRC Trilogy, book 1) Juno Dawson "Dawson has created your new obsession. HMRC is full of her trademark heart and humour, with a delicious slick of darkness. I fell in love with her coven - and I need the next instalment now!"
Young Mungo (2022) Douglas Stuart "Some novels can be admired, others enjoyed. But it is a rare thing to find a story so engrossing, bittersweet and beautiful that you do not so much read it, as experience it. It is this quality Young Mungo possesses - an intense, lovely, brutal thing. Stuart is a masterful storyteller."
The Thief Who Sang Storms (2022) Sophie Anderson "A story of the dangers of division and the world-saving power of unity, with her fourth novel Anderson cements her place as one of my all-time favourite storytellers."
Our Wives Under the Sea (2022) Julia Armfield "Tender, strange, lucid, and so assured. If you love sci-fi or love stories or books that defy labels or chew-your-arm-off good writing, this is for you."
Maps of Our Spectacular Bodies (2022) Maddie Mortimer "Both expansive and intimate, Maps of Our Spectacular Bodies is an intricate portrait of a life hurtling towards the inevitable. An extraordinary debut."
Devotion (2022) Hannah Kent "Devotion is rare and exquisite, both beautiful and muscular in its portrayal of love found and denied. It's a story of love as a radical act, and a celebration of place and persistence. As we've come to expect from Kent, this is masterful storytelling with pull-no-punches stakes. It's taken root in my heart."
Grimwood (2021) (Grimwood, book 1) Nadia Shireen "I CACKLED ALOUD on practically every page. Comic gold, tinged with such tenderness."
The Last House on Needless Street (2021) Catriona Ward "Believe the hype. The Last House On Needless Street is not only a masterclass in horror, but in storytelling full stop. Up there with the best I've ever read. The most unsettling, beautiful, sad and wise book, it'll stay with me a long time. I'm in awe."
The Weekend (2020) Charlotte Wood "The Weekend is an unflinchingly observed celebration of the profundity and mundanity of friendship, treated with elegance, wit, and tenderness."
Stacey Halls "The Foundling dragged me along in its narrative wake. Another gripping, immersive, intelligent work of historical fiction from the bestselling author of The Familiars."
Black River (2020) (Tuva Moodyson Mystery, book 3) Will Dean "Devouring Will Dean's Black River, possibly my favourite of his Tuva Moodyson mysteries. Certainly one of the best series of recent years the perfect blend of pace, plot & atmosphere."
Things in Jars (2019) Jess Kidd "A masterclass in storytelling. One of those books that truly does make you laugh out loud, that shakes and remakes what you think a story can be. It's rare to find a book so satisfying."
Last Ones Left Alive (2019) Sarah Davis-Goff "Last Ones Left Alive gripped me as much by the heart as it did by the throat. A stormer of a debut, Davis-Goff has created an urgent, assured, terrifying tale of destruction, humanity, and love."
The Restless Girls (2018) Jessie Burton "A beautifully realised, whirling adventure full of the dark glitter of growing up, The Restless Girls is a fierce fairytale for the rebel girl - and boy - generation."
Laura Purcell "A romping read with a deliciously dark conceit at its centre. Reminded me of Alias Grace. A worthy successor to The Silent Companions."
Everything Under (2018) Daisy Johnson "Everything Under seeped through to my bones. Reaching new depths hinted at in Fen, language and landscape turn strange, full of creeping horror and beauty. It is precise in its terror, and its tenderness. An ancient myth masterfully remade for our uncertain times."
Storm (2018) (Huntress Trilogy, book 3) Sarah Driver "Sky is exhilarating, gripping and full of heart."
The Fandom (2018) (Fandom, book 1) Anna Day "Compulsive, intricate and genre-busting: I devoured THE FANDOM in one sitting. I am most definitely a fan."