Sarah Hall was born in Cumbria in 1974. She received a BA from Aberystwyth University, Wales, and a MLitt in Creative Writing from St Andrews, Scotland. She is the author of Haweswater, which won the 2003 Commonwealth Writers Prize for Best First Novel, a Society of Authors Betty Trask Award, and a Lakeland Book of the Year prize.
In 2004, her second novel, The Electric Michelangelo, was shortlisted for the Man Booker Prize, the Commonwealth Writers Prize (Eurasia region), and the Prix Femina Etranger, and was longlisted for the Orange Prize for Fiction.
Her third novel, The Carhullan Army, was published in 2007, and won the 2006/07 John Llewellyn Rhys Prize, the James Tiptree Jr. Award, a Lakeland Book of the Year prize, was shortlisted for the Arthur C. Clarke Award for science fiction, and long-listed for the Dublin IMPAC Award. The Carhullan Army was listed as one of The Times 100 Best Books of the Decade.
Her fourth novel, How To Paint A Dead Man, was published in 2009 and was longlisted for the Man Booker prize and won the Portico Prize for Fiction 2010. Her work has been translated into many languages. She was recently given the 2014 E.M. Forster Award from the American Academy of Arts and Letters.
Her first collection of short stories, titled The Beautiful Indifference, was published in 2011. The Beautiful Indifference won the Portico Prize for Fiction 2012 and the Edge Hill short story prize, it was also short-listed for the Frank O'Connor Prize. Recently she has been shortlisted for the Sunday Times EFG Private Bank Short Story Award and has won the 2013 BBC National Short Story Prize.
Sarah Hall is an honorary fellow of Aberystwyth University, and a fellow of the Civitella Ranieri Foundation (2007). She has judged a number of prestigious literary awards and prizes, including the David Cohen Prize, The John Llewellyn Rhys Prize, The Sunday Times EFG Short Story Award, and the inaugural Folio Prize for Fiction. She tutors for the Faber Academy, The Guardian, the Arvon Foundation, and has taught creative writing in a variety of establishments in the UK and abroad. She has written original drama for radio, and has presented programmes on both radio and television. Sarah currently lives in Norwich, Norfolk, with her partner who is a doctor.
In 2004, her second novel, The Electric Michelangelo, was shortlisted for the Man Booker Prize, the Commonwealth Writers Prize (Eurasia region), and the Prix Femina Etranger, and was longlisted for the Orange Prize for Fiction.
Her third novel, The Carhullan Army, was published in 2007, and won the 2006/07 John Llewellyn Rhys Prize, the James Tiptree Jr. Award, a Lakeland Book of the Year prize, was shortlisted for the Arthur C. Clarke Award for science fiction, and long-listed for the Dublin IMPAC Award. The Carhullan Army was listed as one of The Times 100 Best Books of the Decade.
Her fourth novel, How To Paint A Dead Man, was published in 2009 and was longlisted for the Man Booker prize and won the Portico Prize for Fiction 2010. Her work has been translated into many languages. She was recently given the 2014 E.M. Forster Award from the American Academy of Arts and Letters.
Her first collection of short stories, titled The Beautiful Indifference, was published in 2011. The Beautiful Indifference won the Portico Prize for Fiction 2012 and the Edge Hill short story prize, it was also short-listed for the Frank O'Connor Prize. Recently she has been shortlisted for the Sunday Times EFG Private Bank Short Story Award and has won the 2013 BBC National Short Story Prize.
Sarah Hall is an honorary fellow of Aberystwyth University, and a fellow of the Civitella Ranieri Foundation (2007). She has judged a number of prestigious literary awards and prizes, including the David Cohen Prize, The John Llewellyn Rhys Prize, The Sunday Times EFG Short Story Award, and the inaugural Folio Prize for Fiction. She tutors for the Faber Academy, The Guardian, the Arvon Foundation, and has taught creative writing in a variety of establishments in the UK and abroad. She has written original drama for radio, and has presented programmes on both radio and television. Sarah currently lives in Norwich, Norfolk, with her partner who is a doctor.
Awards: BBC (2020), Otherwise (2007) see all
Genres: Literary Fiction
Novels
Haweswater (2002)
The Electric Michelangelo (2004)
The Carhullan Army (2007)
aka Daughters of the North
How to Paint a Dead Man (2009)
The Wolf Border (2015)
Burntcoat (2021)
The Electric Michelangelo (2004)
The Carhullan Army (2007)
aka Daughters of the North
How to Paint a Dead Man (2009)
The Wolf Border (2015)
Burntcoat (2021)
Collections
The Beautiful Indifference (2011)
Six Shorts (2013) (with others)
Madame Zero (2017)
Sudden Traveller (2019)
These Our Monsters (2019) (with others)
Reverse Engineering (2022) (with others)
Six Shorts (2013) (with others)
Madame Zero (2017)
Sudden Traveller (2019)
These Our Monsters (2019) (with others)
Reverse Engineering (2022) (with others)
Anthologies edited
Series contributed to
BBC National Short Story Award
The BBC National Short Story Award 2010 (2010) (with others)
The BBC National Short Story Award 2018 (2018) (with others)
The BBC National Short Story Award 2020 (2020) (with others)
The BBC National Short Story Award 2010 (2010) (with others)
The BBC National Short Story Award 2018 (2018) (with others)
The BBC National Short Story Award 2020 (2020) (with others)
Books containing stories by Sarah Hall
Awards
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Award nominations
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Sarah Hall recommends
Enlightenment (2024)
Sarah Perry
"Enlightenment is a complete masterwork - ambitious, crafted, truly artful. With its intersections of faith, physics, love and wisdom, I imagine we will be quoting lines from the novel for years to come. It holds page after page of luminous prose, playful intelligence, storyteller's wit and companionship, and the rarest compassion. Like the comets within, the reader travels headlong through the book's darkness and beauty, alongside universal laws and mysteries, aligning with both human matter and spirit. Sarah Perry is an extraordinary maker, of unique mind, sensibility and gifts; her writing is, as ever, lit by sheer brilliance."
This is Why We Can't Have Nice Things (2024)
Naomi Wood
"How terrifically exciting to see Naomi Wood flourish in the short story form. It seems the perfect vehicle for her wit, intelligence, mischief and levity. These stories absolutely nail the experiences of women rebelling in worlds calibrated to restrict and undernourish them. They skewer modern parenting, maternity, romance, and morality. It's a beautiful, electrifying thing to witness - a writer so hilariously and so reasonably voicing the unspeakable."
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