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The Point of Rescue
(2008)(The Wrong Mother)
(The third book in the Culver Valley Crime series)A novel by Sophie Hannah
Sophie Hannah's debut thriller novel, Little Face, immediately marked her out as a particularly penetrating and insightful practitioner of the psychological crime novel, with a skill for getting into the minds of her beleaguered characters, a skill she continued to polish in its successor, Hurting Distance. Her second book was a particular achievement, given that so many second novels fail to live up to the promise of their predecessors. And here is Sophie Hannah's third novel, The Point of Rescue, and it might be argued that it is her most accomplished book yet.
A woman is watching a report on television of the death of a mother and daughter; apparently both had died at the mother's hand. Also on the screen is the surviving member of the family, a widower described as Mark Bretherick. Watching with her husband, the woman, Sally, has to bite back the words that spring to her lips: this man is not Mark Bretherick! How does she know? Because she had enjoyed a brief sexual affair with the real possessor of that name some time before -- an affair (needless to say) she has not revealed to her husband. Sally is forced to hang on to her secret, and she anonymously informs the police that all is not as it appears to be in this case.
It is Sally's plight that so comprehensively engages the reader here, but readers of the earlier books by Sophie Hannah will be pleased to note the reappearance of her reliable copper Simon Waterhouse, who ensures that the sequences involving the investigation are quite as compelling as the those of a woman desperately trying to keep her indiscretion secret (while doing the right thing).
On the evidence of these three books, Sophie Hannah has a long career as a novelist ahead of her (perhaps to run in tandem with her alternative career as a poet). --Barry Forshaw
Genre: Mystery
A woman is watching a report on television of the death of a mother and daughter; apparently both had died at the mother's hand. Also on the screen is the surviving member of the family, a widower described as Mark Bretherick. Watching with her husband, the woman, Sally, has to bite back the words that spring to her lips: this man is not Mark Bretherick! How does she know? Because she had enjoyed a brief sexual affair with the real possessor of that name some time before -- an affair (needless to say) she has not revealed to her husband. Sally is forced to hang on to her secret, and she anonymously informs the police that all is not as it appears to be in this case.
It is Sally's plight that so comprehensively engages the reader here, but readers of the earlier books by Sophie Hannah will be pleased to note the reappearance of her reliable copper Simon Waterhouse, who ensures that the sequences involving the investigation are quite as compelling as the those of a woman desperately trying to keep her indiscretion secret (while doing the right thing).
On the evidence of these three books, Sophie Hannah has a long career as a novelist ahead of her (perhaps to run in tandem with her alternative career as a poet). --Barry Forshaw
Genre: Mystery
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