THE VANITY GIRL
by Compton MacKenzie
CHAPTER I
I
WEST KENSINGTON relies for romance more upon the eccentricities of individual residents than upon any variety or suggestiveness in the scenery of its streets, which indeed are mostly mere lines of uniform gray or red houses drearily elongated by constriction. Yet the suburb is too near to London for some relics of a former rusticity not to have survived; and it is refreshing for the casual observer of a city's growth to find here and there a row of old cottages, here and there a Georgian house rising from sooty flower-gardens and shadowed by rusty cedars, occasionally even an open space of building land, among the weeds of which ragged hedgerows and patches of degenerate oats still endure.
How Lonsdale Road, where the Caffyns lived, should have come to obtrude itself upon the flimsy architecture of the neighborhood is not so obvious. Situated near what used to be the western terminus of the old brown-and-blue horse-omnibuses, it is a comparatively wide road of detached, double-fronted, three-storied, square houses (so square that after the rows of emaciated residences close by they seem positively squat), built at least thirty years before anybody thought of following the District Railway out here. Each front door is overhung by a heavy portico, the stout pillars of which, painted over and over again according to the purse and fancy of the owner, vary in color from shades of glossy blue and green to drabs and buffs and dingy ivories. The steps, set some ten yards back from the pavement, are flanked by well-grown shrubs; the ground floor is partially below the level of the street, but there are no areas, and only a side entrance marked "Tradesmen" seems to acknowledge the existence of a more humble world.
There are thirty-six houses in Lonsdale Road, not one of which makes any sharper claim for distinction than is conferred by the number plainly marked upon the gas-lamp suspended from the ceiling of its portico. Here are no "Bellevues" or "Ben Lomonds" to set the neighborhood off upon the follies of competitive nomenclature; and although at the back of each house a large oblong garden contains a much better selection of trees and flowering shrubs than the average suburban garden, not even the mild pretentiousness of an appropriate arboreal name is tolerated. Away from the traffic of the main street with its toy dairies and dolls' shops, its omnibuses and helter-skelter of insignificant pedestrians, Lonsdale Road comes to an abrupt end before a tumble-down tarred fence that guards some allotments beside the railway, on the other side of which a high rampart with the outline of cumulus marks the reverse of the panoramic boundary of Earl's Court Exhibition. The road is a thoroughfare for hawkers, policemen, and lovers, because a narrow lane follows the line of the tumble-down fence, leading on one side to the hinterland of West Kensington railway station and on the other gradually widening into a terrace of small red-brick houses, the outworks of similar terraces beyond. Why anybody at least fifty years ago should have built in what must then have been open country or nursery gardens along the North End Road these thirty-six porticoed houses remains inexplicable. Whoever it was may fairly be honored as one of the founders of West Kensington, perhaps second only to the one who divined that by getting it called West Kensington instead of East Fulham or South Hammersmith, and so maintaining in the minds of the professional classes a consciousness of their gentility, he was doing as much for the British Empire as if he had exploited their physique in a new colony.
Genre: Literary Fiction
by Compton MacKenzie
CHAPTER I
I
WEST KENSINGTON relies for romance more upon the eccentricities of individual residents than upon any variety or suggestiveness in the scenery of its streets, which indeed are mostly mere lines of uniform gray or red houses drearily elongated by constriction. Yet the suburb is too near to London for some relics of a former rusticity not to have survived; and it is refreshing for the casual observer of a city's growth to find here and there a row of old cottages, here and there a Georgian house rising from sooty flower-gardens and shadowed by rusty cedars, occasionally even an open space of building land, among the weeds of which ragged hedgerows and patches of degenerate oats still endure.
How Lonsdale Road, where the Caffyns lived, should have come to obtrude itself upon the flimsy architecture of the neighborhood is not so obvious. Situated near what used to be the western terminus of the old brown-and-blue horse-omnibuses, it is a comparatively wide road of detached, double-fronted, three-storied, square houses (so square that after the rows of emaciated residences close by they seem positively squat), built at least thirty years before anybody thought of following the District Railway out here. Each front door is overhung by a heavy portico, the stout pillars of which, painted over and over again according to the purse and fancy of the owner, vary in color from shades of glossy blue and green to drabs and buffs and dingy ivories. The steps, set some ten yards back from the pavement, are flanked by well-grown shrubs; the ground floor is partially below the level of the street, but there are no areas, and only a side entrance marked "Tradesmen" seems to acknowledge the existence of a more humble world.
There are thirty-six houses in Lonsdale Road, not one of which makes any sharper claim for distinction than is conferred by the number plainly marked upon the gas-lamp suspended from the ceiling of its portico. Here are no "Bellevues" or "Ben Lomonds" to set the neighborhood off upon the follies of competitive nomenclature; and although at the back of each house a large oblong garden contains a much better selection of trees and flowering shrubs than the average suburban garden, not even the mild pretentiousness of an appropriate arboreal name is tolerated. Away from the traffic of the main street with its toy dairies and dolls' shops, its omnibuses and helter-skelter of insignificant pedestrians, Lonsdale Road comes to an abrupt end before a tumble-down tarred fence that guards some allotments beside the railway, on the other side of which a high rampart with the outline of cumulus marks the reverse of the panoramic boundary of Earl's Court Exhibition. The road is a thoroughfare for hawkers, policemen, and lovers, because a narrow lane follows the line of the tumble-down fence, leading on one side to the hinterland of West Kensington railway station and on the other gradually widening into a terrace of small red-brick houses, the outworks of similar terraces beyond. Why anybody at least fifty years ago should have built in what must then have been open country or nursery gardens along the North End Road these thirty-six porticoed houses remains inexplicable. Whoever it was may fairly be honored as one of the founders of West Kensington, perhaps second only to the one who divined that by getting it called West Kensington instead of East Fulham or South Hammersmith, and so maintaining in the minds of the professional classes a consciousness of their gentility, he was doing as much for the British Empire as if he had exploited their physique in a new colony.
Genre: Literary Fiction
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