Larry Alan Morse grew up in Los Angeles. He attended the University of California at Berkeley and San Francisco State College, and somehow managed to get two degrees in English Lit. He moved to Toronto in the late 60s, and has had the usual variety of jobs, including a brief stint in educational television and five years as an administrator at the University of Toronto. Upon returning from extended travels through Southeast Asia, he decided to try and write a novel something delicate and sensitive and artistic. He discovered just what he was looking for in the true story of Sawney Beane and his family, The Flesh Eaters, the 15th century cannibal clan who ate their way through a good part of Scotland.
L. A. Morse has written four other crime novels. The Old Dick won an Edgar from the Mystery Writers of America; The Big Enchilada and Sleaze, featuring Sam Hunter, the L. A. private eye who, according to one reviewer, makes Dirty Harry look like Mother Teresa; and he was instrumental in arranging the publication of An Old-Fashioned Mystery, the lost masterpiece by the enigmatic and reclusive author, Runa Fairleigh. He shifted to another medium with the publication of Video Trash and Treasures, a two-volume guide to the obscure and bizarre movies of the 1980s.
For the last 15 years, L. A. Morse has worked as a visual artist, primarily sculpture. He is an avid birder with over 1,500 species on his world list. When not off looking for birds in the tropics, he currently divides his time between stone carving and making a living in the stock market.
L. A. Morse has written four other crime novels. The Old Dick won an Edgar from the Mystery Writers of America; The Big Enchilada and Sleaze, featuring Sam Hunter, the L. A. private eye who, according to one reviewer, makes Dirty Harry look like Mother Teresa; and he was instrumental in arranging the publication of An Old-Fashioned Mystery, the lost masterpiece by the enigmatic and reclusive author, Runa Fairleigh. He shifted to another medium with the publication of Video Trash and Treasures, a two-volume guide to the obscure and bizarre movies of the 1980s.
For the last 15 years, L. A. Morse has worked as a visual artist, primarily sculpture. He is an avid birder with over 1,500 species on his world list. When not off looking for birds in the tropics, he currently divides his time between stone carving and making a living in the stock market.
Awards: Edgar (1982) see all
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