From the critically acclaimed author of Savage Theories and Dark Constellations comes Pola Oloixarac’s Mona, where success as a "writer of color" proves to be a fresh hell for a young Latin American woman at a literary conference in Sweden.
Mona, a Peruvian writer based in California, presents a tough and sardonic exterior. She likes drugs and cigarettes, and when she learns that she is something of an anthropological curiosity—a woman writer of color treasured at her university for the flourish of rarefied diversity she brings—she pokes fun at American academic culture and its fixation on identity.
When she is nominated for “the most important literary award in Europe,” Mona sees a chance to escape her downward spiral of sunlit substance abuse and erotic distraction, so she trades the temptations of California for a small, gray village in Sweden, close to the Arctic Circle. Now she is stuck in the company of all her jet-lagged—and mostly male—competitors, arriving from Japan, France, Armenia, Iran, and Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together. All the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.
As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous, and ultimately jaw-dropping portrait of a woman facing down a hipster elite to which she does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won’t stay past, and strange forces are working to deliver her the test of a lifetime.
Genre: Literary Fiction
Mona, a Peruvian writer based in California, presents a tough and sardonic exterior. She likes drugs and cigarettes, and when she learns that she is something of an anthropological curiosity—a woman writer of color treasured at her university for the flourish of rarefied diversity she brings—she pokes fun at American academic culture and its fixation on identity.
When she is nominated for “the most important literary award in Europe,” Mona sees a chance to escape her downward spiral of sunlit substance abuse and erotic distraction, so she trades the temptations of California for a small, gray village in Sweden, close to the Arctic Circle. Now she is stuck in the company of all her jet-lagged—and mostly male—competitors, arriving from Japan, France, Armenia, Iran, and Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together. All the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.
As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous, and ultimately jaw-dropping portrait of a woman facing down a hipster elite to which she does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won’t stay past, and strange forces are working to deliver her the test of a lifetime.
Genre: Literary Fiction
Praise for this book
"A rapturous tour de force by Pola Oloixarac-one of the few writers I cannot live without-Mona is that novel that, once finished, leaves its reader perfectly, beautifully undone. Part mystery, part send-up of a literary world, part journey into night, Mona reminds us that no matter how far you fly, the past is always near. If Mona were any smarter, any funnier, any truer, I'm not sure my tender heart could have taken it." - Junot Díaz
"International literary gatherings are ripe for sharp satire, but they're never as hilariously funny, weird, and adorable as the one portrayed in Mona. Brainy, cheerfully dirty, and caught in a fine mess, Mona herself, like this novel, is exhilarating company." - Francisco Goldman
"Sly, bitter, and smart, Mona is at once a satirical comedy, a harrowing psychological portrait of a woman’s dissociation, and a philosophical indictment of the hubris of now. Read it and be surprised." - Siri Hustvedt
"Pola Oloixarac's Mona is, simultaneously, a hilarious satire of literary pretensions, a sincere exploration of a damaged psyche, and a brilliantly unnerving new chapter in this writer's inimitable body of work. It reads as though Rachel Cusk's Outline Trilogy was thrown in a blender with Roberto Bolaño's 2666, and then lightly seasoned with the bitter flavor of Horacio Castellanos Moya. In other words: Oloixarac is one of my new favorite writers." - Andrew Martin
"Engaging and challenging . . . Oloixarac offers an illuminating critique of the business of literature . . . [and] calls for . . . writing as a commitment to people and some version of love, without descending into pabulum or cliché." - Yxta Maya Murray
"International literary gatherings are ripe for sharp satire, but they're never as hilariously funny, weird, and adorable as the one portrayed in Mona. Brainy, cheerfully dirty, and caught in a fine mess, Mona herself, like this novel, is exhilarating company." - Francisco Goldman
"Sly, bitter, and smart, Mona is at once a satirical comedy, a harrowing psychological portrait of a woman’s dissociation, and a philosophical indictment of the hubris of now. Read it and be surprised." - Siri Hustvedt
"Pola Oloixarac's Mona is, simultaneously, a hilarious satire of literary pretensions, a sincere exploration of a damaged psyche, and a brilliantly unnerving new chapter in this writer's inimitable body of work. It reads as though Rachel Cusk's Outline Trilogy was thrown in a blender with Roberto Bolaño's 2666, and then lightly seasoned with the bitter flavor of Horacio Castellanos Moya. In other words: Oloixarac is one of my new favorite writers." - Andrew Martin
"Engaging and challenging . . . Oloixarac offers an illuminating critique of the business of literature . . . [and] calls for . . . writing as a commitment to people and some version of love, without descending into pabulum or cliché." - Yxta Maya Murray
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