book cover of That Left Turn at Albuquerque
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That Left Turn at Albuquerque

(2020)
A novel by

 
 
A hardboiled valentine to the Golden State, That Left Turn at Albuquerque marks the return of noir master Scott Phillips.
 
Douglas Rigby, attorney-at-law, is bankrupt. He’s just sunk his last $200,000—a clandestine “loan” from his last remaining client, former bigshot TV exec Glenn Haskill—into a cocaine deal gone wrong. The lesson? Never trust anyone else with the dirty work. Desperate to get back on top, Rigby formulates an art forgery scheme involving one of Glenn’s priceless paintings, a victimless crime. But for Rigby to pull this one off, he’ll need to negotiate a whole cast of players with their own agendas, including his wife, his girlfriend, an embittered art forger, Glenn’s resentful nurse, and the man’s money-hungry nephew. One misstep, and it all falls apart—will he be able to save his skin?

Written with hard-knock sensibility and wicked humor, Scott Phillips’s newest novel will cement him as one of the great crime writers of the 21st century.


Genre: Mystery

Praise for this book

"A hilarious, twisty, dark, and profane romp deep into a modern noir world. The people in a Scott Phillips novel are so damn authentic, they remind me of folks I met while covering the crime beat. Phillips proves once again why he's one of the best crime writers out there." - Ace Atkins

"In That Left Turn at Albuquerque, Phillips displays a master alchemist's touch. No one blends the elements of happenstance, malevolence, unintended consequences, irony and humor into crime fiction magic like Phillips. No one!" - Reed Farrel Coleman

"Many writers bill themselves as noir, but if you want to experience what the word truly means, in its finest expression, then pick up That Left Turn at Albuquerque, a brutally funny, wickedly clever nightmare that heralds the triumphant return of Scott Phillips, the twenty-first century's greatest purveyor of crime fiction." - Blake Crouch

"Phillips is a fearless, ambitious writer who never makes a false move." - George Pelecanos


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