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David A Robertson


(b.1977)

David Alexander Robertson is an Indigenous graphic novelist and writer from Winnipeg, Manitoba. Of Swampy Cree heritage, Robertson has published over 25 books across a variety of genres. His first novel, The Evolution of Alice, was published in 2014.`
 


Genres: Children's Fiction, Literary Fiction
 
New and upcoming books
August 2024

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The Sleeping Giant
(Misewa Saga, book 5)
September 2024

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God Flare
(Reckoner Rises, book 3)
August 2025

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The World's End
(Misewa Saga, book 6)
Series
Reckoner Trilogy
   1. Strangers (2017)
   2. Monsters (2018)
   3. Ghosts (2019)
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Misewa Saga
   1. The Barren Grounds (2020)
   2. The Great Bear (2021)
   3. The Stone Child (2022)
   4. The Portal Keeper (2023)
   5. The Sleeping Giant (2024)
   6. The World's End (2025)
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Reckoner Rises
   1. Breakdown (2020)
   2. Version Control (2022)
   3. God Flare (2024)
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Novels
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Collections
   Take Us to a Better Place (2020) (with others)
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Chapter Books show
 
Books containing stories by David A Robertson
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Ancestor Approved (2021)
Intertribal Stories for Kids
edited by
Cynthia Leitich Smith
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Love Beyond Body, Space, and Time (2016)
An Indigenous LGBT Sci-fi Anthology
edited by
Hope Nicholson

David A Robertson recommends
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The Circle (2023)
Katherena Vermette
"What a gift we have been given. The Circle is a window into the lives of unforgettable characters, families, and community. The nuances, the crescendos, thrum like a heartbeat that hurts and heals, bends and breaks, that mends, always with care through prose that is as beautiful as it is raw and unflinching. Vermette has written a masterful work, one that challenges us with an intricate structure, as the circle forms and finally connects. If this is the end of the story, the gift we have is to hold these characters, and live with them long after the last page has been turned."
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An Ordinary Violence (2023)
Adriana Chartrand
"An unsettling, lyrical, slow-burn of a novel that combines the best elements of atmosphere and horror. Weaving together a history of violence with spirituality and the supernatural, Chartrand has achieved something special here, a cacophony of style and genre that displays the immeasurable potential of Indigenous storytelling."

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