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2004 British Fantasy Award for Best Collection (nominee)
2004 Locus Award for Best Collection (nominee)
2004 World Fantasy Award for Best Collection (nominee)
1996 British Fantasy Award for Best Short Story
Publisher's Weekly
In this stellar retrospective collection, Smith (Spares, etc.) proves that effective horror fiction depends as much on solid grounding in the ordinary as on the evocation of the extraordinary. Most of the 30 stories (including four original to the volume) feature characters so believably common and unassuming-"emotionally homeless, culturally pointless" is the way one describes himself-that the nightmares that overtake them hit with the unexpected force of a sucker punch. In the title story, a friendly infotech type finds his tediously clinical work on computers slowly drawing him into a voyeuristic hell of Internet pornography. "A Place to Stay" conveys the strange experience of a man's vampirization through the disorienting fragmentation of his daily routines. The protagonist of "Being Right" leads a life so seemingly humdrum that the reader is disarmed to discover it's the manifestation of a repellent psychopathology. Smith's skill at presenting emotionally credible characters gives him easy access to a wide range of themes, from "To See the Sea," a Lovecraftian tale with a flesh-creeping surprise, to "To Receive Is Better," an O. Henryesque shocker. Most of these stories have been available only in the author's native U.K., and this omnibus gathering will introduce American readers to one of the best writers of short horror fiction to emerge in the 1990s. (Dec.) Forecast: Smith had a comprehensive story collection, What You Make It (2000), published in the U.K., but it was never reprinted in an American edition. Smith fans who haven't wanted to pay premium prices for British titles of his works will doubtless be drawn to this volume, whose contents differ significantly enough from What You Make It. Copyright 2003 Reed Business Information.
Library Journal
From a harrowing tale about a deadly, fast-acting disease and a daring group of people who open a door to the afterlife ("Hell Hath Enlarged Herself") to a brief but precisely written essay on the art of storytelling ("On Not Writing"), Smith demonstrates his quirky and emotive approach to the art of short fiction. This collection of 31 selections includes previously published material-such as "The Man Who Drew Cats," about an artist's special talent, and "A Place To Stay," about a unique Halloween encounter in New Orleans-as well as several new pieces. Intelligent, hard-hitting horror and eerie suspense make this a good selection for horror and short fiction collections. Copyright 2004 Reed Business Information.
Genre: Horror
In this stellar retrospective collection, Smith (Spares, etc.) proves that effective horror fiction depends as much on solid grounding in the ordinary as on the evocation of the extraordinary. Most of the 30 stories (including four original to the volume) feature characters so believably common and unassuming-"emotionally homeless, culturally pointless" is the way one describes himself-that the nightmares that overtake them hit with the unexpected force of a sucker punch. In the title story, a friendly infotech type finds his tediously clinical work on computers slowly drawing him into a voyeuristic hell of Internet pornography. "A Place to Stay" conveys the strange experience of a man's vampirization through the disorienting fragmentation of his daily routines. The protagonist of "Being Right" leads a life so seemingly humdrum that the reader is disarmed to discover it's the manifestation of a repellent psychopathology. Smith's skill at presenting emotionally credible characters gives him easy access to a wide range of themes, from "To See the Sea," a Lovecraftian tale with a flesh-creeping surprise, to "To Receive Is Better," an O. Henryesque shocker. Most of these stories have been available only in the author's native U.K., and this omnibus gathering will introduce American readers to one of the best writers of short horror fiction to emerge in the 1990s. (Dec.) Forecast: Smith had a comprehensive story collection, What You Make It (2000), published in the U.K., but it was never reprinted in an American edition. Smith fans who haven't wanted to pay premium prices for British titles of his works will doubtless be drawn to this volume, whose contents differ significantly enough from What You Make It. Copyright 2003 Reed Business Information.
Library Journal
From a harrowing tale about a deadly, fast-acting disease and a daring group of people who open a door to the afterlife ("Hell Hath Enlarged Herself") to a brief but precisely written essay on the art of storytelling ("On Not Writing"), Smith demonstrates his quirky and emotive approach to the art of short fiction. This collection of 31 selections includes previously published material-such as "The Man Who Drew Cats," about an artist's special talent, and "A Place To Stay," about a unique Halloween encounter in New Orleans-as well as several new pieces. Intelligent, hard-hitting horror and eerie suspense make this a good selection for horror and short fiction collections. Copyright 2004 Reed Business Information.
Genre: Horror
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Used availability for Michael Marshall Smith's More Tomorrow