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2021 Walter Scott Prize for Best Historical Novel (nominee)
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • ‘Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.’—The New York Times Book Review
‘A marvelous fiction about the power of language to elevate or repress.’—Geraldine Brooks, New York Times bestselling author of People of the Book
Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means ‘slave girl,’ begins to collect other words that have been discarded or neglected by the dictionary men.
As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages.
Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.
WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD
Genre: Historical
‘A marvelous fiction about the power of language to elevate or repress.’—Geraldine Brooks, New York Times bestselling author of People of the Book
Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means ‘slave girl,’ begins to collect other words that have been discarded or neglected by the dictionary men.
As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages.
Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world.
WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD
Genre: Historical
Praise for this book
"What a compelling, fresh look at historical women! In Pip Williams’s lyrically written novel, The Dictionary of Lost Words, readers explore the creation of the so-called definitive Oxford English Dictionary through the eyes of Esme, a fictional female laborer on that great endeavor, and as her eyes open to the flaws and gender biases in the selection of included words and the definitions themselves, so do readers’. This marvelous exploration into the ways in which spoken and written language impact us is a delight and an education." - Marie Benedict
"Inspired by a wisp of fact—a single word accidentally omitted from the Oxford English Dictionary—Pip Williams has spun a marvelous fiction about the power of language to elevate or repress. This is a novel that brings to light not only lost words but the lost stories of women’s lives. It is at once timely and timeless." - Geraldine Brooks
"What a novel of words, their adventure, and their capacity to define and, above all, challenge the world. There will not be this year a more original novel published. I just know it." - Thomas Keneally
"This charming, inventive, and utterly irresistible novel is the story we all need right now. Words have never mattered more, as Pip Williams illuminates in her unforgettable debut." - Susan Wiggs
"In the annals of lexicography, no more imaginative, delightful, charming, and clever book has yet been written. And if by writing it Pip Williams has gently rapped my knuckles for wrongly supposing that only white English men led the effort to corral and codify our language, then I happily accept the scolding. Her wonderfully constructed story has helped entirely change my mind." - Simon Winchester
"Inspired by a wisp of fact—a single word accidentally omitted from the Oxford English Dictionary—Pip Williams has spun a marvelous fiction about the power of language to elevate or repress. This is a novel that brings to light not only lost words but the lost stories of women’s lives. It is at once timely and timeless." - Geraldine Brooks
"What a novel of words, their adventure, and their capacity to define and, above all, challenge the world. There will not be this year a more original novel published. I just know it." - Thomas Keneally
"This charming, inventive, and utterly irresistible novel is the story we all need right now. Words have never mattered more, as Pip Williams illuminates in her unforgettable debut." - Susan Wiggs
"In the annals of lexicography, no more imaginative, delightful, charming, and clever book has yet been written. And if by writing it Pip Williams has gently rapped my knuckles for wrongly supposing that only white English men led the effort to corral and codify our language, then I happily accept the scolding. Her wonderfully constructed story has helped entirely change my mind." - Simon Winchester
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