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Stephanie Powell Watts is an associate professor of English at Lehigh University, and has won numerous awards, including a Whiting Award, a Pushcart Prize, the Ernest J. Gaines Award for Literary Excellence, and the Southern Womens Writers Award for Emerging Writer of the Year. She was also a PEN/Hemingway finalist for her short-story collection We Are Taking Only What We Need.
Genres: Romance, Literary Fiction
Books containing stories by Stephanie Powell Watts
New Stories from the South: The Year's Best, 2009 (2009)
(New Stories from the South)
edited by
Madison Smartt Bell
New Stories from the South: The Year's Best, 2007 (2007)
(New Stories from the South)
edited by
Edward P Jones
Award nominations
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Stephanie Powell Watts recommends
The Love Songs of W.E.B. Du Bois (2021)
Honorée Fannone Jeffers
"In this dazzling debut, generations of high yellow and brown ‘skin-ded’ women in one Georgia family explore the complexities of kin, the legacies of trauma, with all the sharp corners and blind alleys of real life. Wise, funny, deeply moving, I can’t tell you how much I love this book. A few times a generation a book comes along that gathers you up with its force, its insights, its sound and fury, its lyrical beauty. The Love Songs of W.E.B. Du Bois is one of those books. Not merely a good novel, but a great and important one."
The Blue Line Down (2021)
Maris Lawyer
"Readers are always looking for the topic that both feels familiar until we scratch the surface a little and realize we know almost nothing about it. In the clear light of the present, movements, protests and even revolutions of the past can seem obvious and inevitable. History loves to condense the story, connecting dots to make the narrative cohere. However, there is turmoil, angst, and great human suffering in between those dots. This story shows us how a decent enough person might be compelled to aid and abet bullies and killers, and a remarkable path to possible redemption."
Betty (2020)
Tiffany McDaniel
"Betty is Betty Carpenter's gripping coming of age story and is bold, inventive and profoundly moving. It is not a story blind to the character's abuse, but also reveals the love, sweetness, and magic in her life. Betty is too brown, too female and too poor for the world, but her story reminds us that despite all obstacles there are those blessed times when we can still manage to find our voices and sing. A triumph!"
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